Frameworks of Many into the Creation of One

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Description
Frameworks of Many into the Creation of One [FMOC] is a choreographic work that delves into the concept of identity: Who am I? Who are you? Who are we? What is the narrative that binds us? This piece offers an…

Frameworks of Many into the Creation of One [FMOC] is a choreographic work that delves into the concept of identity: Who am I? Who are you? Who are we? What is the narrative that binds us? This piece offers an exploration of our interactions with the world around us as we navigate the ongoing process of self-discovery. FMCO illuminates the intersectionality of the individual within a community, examining the diverse ways in which we express ourselves in relation to our environment. IDENTITY: Individual Differences Expressed and Negotiated through Environmental Information. The work delves into the idea that identity is shaped by the transfer of information within one's environment. Through the mediums of storytelling, dance, and multimedia, FMCO offers the audience an immersive experience of frameworks and concepts that influence both their own identities and the identity of Alecea Housworth. The piece invites viewers to contemplate the dynamic interplay between individualism and the influences of one's surroundings. This paper delves into the intricate interplay between individuality and community, shedding light on the complexity inherent in the human experience. Exploring the frameworks being race, gender, religion, and gender, which impact experiences that shape the development of one's sense of self. Through the lens of dance, this study examines how individuals construct and embody their identities, offering a nuanced understanding of self-conception through communal engagement.
Date Created
2024
Agent

MFA Dance Applied Project – Difference

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Description
Perceptions and interpretations of life experiences and actions vary across individuals. When these differences are linked to colors, they become more apparent and discernable. Colors have the ability to convey a range of emotions, evoke diverse feelings, and conjure u…

Perceptions and interpretations of life experiences and actions vary across individuals. When these differences are linked to colors, they become more apparent and discernable. Colors have the ability to convey a range of emotions, evoke diverse feelings, and conjure up different images for different people. For dancers, these colors and emotions can impact the execution of a movement, resulting in variations in quality and texture, despite performing the same choreography. Notably, the same color can hold opposite meanings in different cultural contexts. Consequently, the objective of this project is to employ dance performance as a means to communicate these disparate cultural perspectives.
Date Created
2023
Agent

Free-Flowing Dance Reducing Stress in Young Adults

Description

Young adults and college-aged people are the age group that encounters the most stress because this age group is trying to grasp what they want to do for the rest of their lives. They will go to college to figure…

Young adults and college-aged people are the age group that encounters the most stress because this age group is trying to grasp what they want to do for the rest of their lives. They will go to college to figure out what they want to pursue, go to college to graduate school, or go straight into their careers for the rest of their lives. Choosing a life pathway right out of high school can be very stressful. College comes with so much change, from where you live to the amount of coursework, and it is a very demanding atmosphere. The central principle of free-flowing dance is to release energy, which is a great way to relinquish stress, especially for young adults. Free-flowing dance is a very loosely defined concept and can be grouped with free-flowing movement, but the objective of free-flow is to release energy through unrestrained movements. This paper will explore what stress is, what causes stress, the concept of free- flowing dance, and how it decreases stress.

Date Created
2022-12
Agent

Spanish Legacies: 75 Years of Spanish Dance in Arizona

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Description
Individual artists are capable of deeply impacting the communities in which they practice, leading to cultural development, exchange, and understanding. This impact is sometimes leveraged by nations as cultural diplomacy. Through the lens of cultural diplomacy, this document traces the…

Individual artists are capable of deeply impacting the communities in which they practice, leading to cultural development, exchange, and understanding. This impact is sometimes leveraged by nations as cultural diplomacy. Through the lens of cultural diplomacy, this document traces the development of Spanish dance in the Phoenix Valley from 1947 through the end of the 20th century by examining the careers of four international Spanish-dance artists who settled in Arizona; Adelino “Eddie” Fernandez, Lydia Torea, Laura Moya, and Dini Román. Each of these artists connected Arizona to a larger national and international dance community and their influence is felt to this day in the cultural diversity of the Phoenix Valley. The document concludes by describing the exhibit and performances that were built around this research and exploring how this research, and the author’s experience coalesce to reveal how Spanish dance––and more broadly percussive dance––is embraced in local culture, but sometimes experiences a marginalized status in post-secondary education. The author shares how ASU professors inspired her to advocate for inclusion of percussive dance in the Master of Fine Arts program, reveals the historical forces that influence its exclusion, shares personal experiences to illustrate the realities faced by dancers in the academy, and comes full circle in the realization that her advocacy, the positive change it enacted, and this very project are a direct result of these four artists’ influence and are examples of cultural diplomacy in action.
Date Created
2022
Agent

Self-Exploration on Stress Management: An Overview of Primal AlexanderTM and Proposal for Clinical Application

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Description

For my senior undergraduate thesis, I created a self-exploration project to understand stress management. The Alexander Technique, created by F.M. Alexander, is an educational “hands-on” awareness practice that has spurred variations since its inception (Gelb, 2003). Primal AlexanderTM (PATM), a…

For my senior undergraduate thesis, I created a self-exploration project to understand stress management. The Alexander Technique, created by F.M. Alexander, is an educational “hands-on” awareness practice that has spurred variations since its inception (Gelb, 2003). Primal AlexanderTM (PATM), a variation of the Alexander technique developed by Mio Morales, is taught on online platforms, chiefly Zoom and other equivalent video communication. PATM shares with the traditional teachings of the Alexander Technique that learning the practice has many benefits – one of these benefits being effective internal stress management. After being introduced to Primal AlexanderTM by Faculty Honors Advisor Robert Kaplan of Arizona State University, I began researching stress management while also practicing Primal AlexanderTM. Considering that nearly half of U.S adults report that stress has a negative effect on their health, it is fair to assume that properly managing stress in individuals continues to be a major obstacle in healthcare (SingleCare, 2022). My personal afflictions that were a result of stress were beginning to affect my mental, emotional, and physical states of health. Learning PATM inspired my support for clinical application of the practice as a stress management technique as I recognized changes within my body that suggested effective, internal stress management.

Date Created
2022-05
Agent

Schrodinger’s X: The Endless Possibilities

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Description
In this project, Schrodinger’s X, I explored a way of promoting a more neutral understanding among people from the same or different cultural background and the possibilities of one performance. I created an online interactive, immersive performance by combing dance,…

In this project, Schrodinger’s X, I explored a way of promoting a more neutral understanding among people from the same or different cultural background and the possibilities of one performance. I created an online interactive, immersive performance by combing dance, role-play games, and film. In this project, instead of sitting and watching, the audience is also part of the performance. They have the power to explore the world of this performance by making options during the performance. Each audience member sees the specific content and ending(s) based on their choice. At the end of the performance, the audience also has options to replay the performance or explore another character. There is no reference or model or documentation that relates to online interactive video performance. Thus, I explored the form of performance on my own. As the leader of this project, the author played the role of both the director and choreographer, coordinator and collaborator with six dancers, one cinematographer, and three composers. The diversity of the members of this project is extraordinary: Asian, Asian Americans, and Americans. Each member had contributed their unique voice and perspective to this project. The final product of this project contains a traceable online interactive video that audiences can replay anytime with a demonstration video and this document. Keywords: interactive videos, dance, interactive performance, cultural difference, role-play games, online performance
Date Created
2021
Agent

Noise to Order: An Explorative Creative Project Using Natural Sound to Make Electronic Music Sound Scores

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Description

For my creative project, I explored using natural sound to create a sound score or song. I used contrasting natural sounds to create the sound scores. Most of the sound recordings are from the New York City subways as well…

For my creative project, I explored using natural sound to create a sound score or song. I used contrasting natural sounds to create the sound scores. Most of the sound recordings are from the New York City subways as well as other recordings around different cities in the United States. I created new sounds using sound manipulation techniques. I explored the use of electronic music production to translate the natural noise into the patterns, repetition and other elemental musical techniques to create a song. I used Ableton as the music production platform to develop the three songs.

Date Created
2021-05
Agent

An Argument for the Integration of Partner Dance into the Public-School System

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Description

This project concerns justification for why partner dance, particularly ballroom dance, should be a part of the Arizona public-school curriculum. It consists of a review of peer-reviewed scientific research on the subject, as well as interviews conducted with local experts…

This project concerns justification for why partner dance, particularly ballroom dance, should be a part of the Arizona public-school curriculum. It consists of a review of peer-reviewed scientific research on the subject, as well as interviews conducted with local experts on dance. Moreover, a sample curriculum is supplied that should provide guidance on how to implement a ballroom dance program in the K-12 system. The goal of this paper is to empower educators to create ballroom dance programs in their schools, with the ultimate plan to help develop students into better citizens.

Date Created
2021-05
Agent

Loose Lace Baby

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Description
“Loose Lace Baby” is a multimedia creative project that includes the creation of a song, a music video, and cover art. The project began with the songwriting process, which became the inspiration for the video concept. The final cover art…

“Loose Lace Baby” is a multimedia creative project that includes the creation of a song, a music video, and cover art. The project began with the songwriting process, which became the inspiration for the video concept. The final cover art is based on the themes and aesthetics of the song and video combined. This project’s purpose was to explore the creative process across multiple media forms and how those forms can work to inspire and enhance one another. The first stage of the project was the songwriting and recording stage. The song is a simple love song about feeling insecure in a relationship and is centered on the metaphor of “tripping over loose shoelaces”. The process in this stage included creative idea exchange, songwriting, music production, and research in different methods of song creation. This portion of the project was then used to inspire the second stage, which was the music video. The music video is about a young boy’s first major crush and follows him on his journey to tell her how he feels, which ultimately ends poorly for him, but goes to show that love can be a divisive but also binding force. The caveat to this boy’s crush is that it ends up being his babysitter, who is much older than him and therefore does not reciprocate his feeling despite having a meaningful connection of a different nature with him. This portion of the project involved many elements, namely using sound as a source of inspiration for moving visual art, production and design, learning about camera work, directing, scripting, screenplay, acting, editing, and most of all, collaboration. Finally, Once these stages of the project came together, the final stage was to draw on the core ideas of the two to create a piece of cover art that represented the messages from both the song and the music video, cohesively binding the multiple media forms into one final product. This stage involved photography, image editing, and pulling from the two other media forms to create a cohesive representative image The final product is a music video and song that are approximately four minutes long each, and a single cover art image. The main software used for music production was Ableton Live. The camera used was a Sony A6300 and the main video editing software used was Adobe Premiere. Many learning outcomes were reached, including multiple filming and editing techniques, video production and the work that goes into organizing and directing a film project, music production methods such as vocal recording and processing, live instrument recording, song arrangement and the use of a Digital Audio Workstation for production and mixing. An in-depth analysis of the entire process is given in detail in the following pages.

"Loose Lace Baby" music video: https://www.youtube.com/watch?v=K5uPf7Psht8&feature=youtu.be
Date Created
2020-05
Agent

Partnership Dance and Its Positive Effects on Patients With Parkinson's Disease

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Description
While growing up, I was placed into dance classes, dance started out as a hobby, but as I grew up it became a way for me to escape from the struggles life itself brings. While I was taking a dance…

While growing up, I was placed into dance classes, dance started out as a hobby, but as I grew up it became a way for me to escape from the struggles life itself brings. While I was taking a dance culture class at Arizona State University, I stumbled across research that revealed that dance does not just help people like myself, but it also has the ability to help those with more difficult life-altering situations like Parkinson’s Disease. With having about 970 million adults aged 65 years old and up (United Nations), around 10-million of these individuals have Parkinson’s Disease (PD) (Parkinson’s New Today). With these large numbers, Parkinson’s is the second leading neurodegenerative disease worldwide (Parkinson’s News Today) behind Alzheimer’s. Parkinson’s is a motor system disorder that affects the production of dopamine in one’s brain (Harvard). With the current treatment of PD being medication as well as surgical therapy based on the severity of each patient (Parkinson’s Foundation), there is one form of treatment that has been tested but not certified, partnership dancing. The way that partnership dance benefits those with Parkinson’s Disease is by using many areas of the brain to facilitate dopamine production. The four main areas used are the motor cortex, the somatosensory, the basal ganglia, and lastly the cerebellum (Harvard). With the vast amount of existing research, as well as the information gained through secondary research, I feel as though there needs to be a study to open the development of partnership dance as a therapy modality for those with many of the forms of degenerative mental diseases. Although unable to put on this research, I have outlined what this study could look like to be continued in the hopes of having partnership dance become a certified form of therapy for those with Parkinson’s Disease.
Date Created
2020-05
Agent
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