ABSTRACT



The path to producing a Broadway Musical is not easily trod, and in the case of A Gentleman's Guide To Love And Murder, the journey was filled with rewrites (the title of the show went from Kind Hearts And Coronets to The Truth About Monty and finally became A Gentleman's Guide To Love And Murder), cast changes (only one member of the show that is currently running on Broadway was with the show in its original form), multiple producers, and a lawsuit. Through it all, the musical's creator, Steven Lutvak, a well-known songwriter and cabaret artist who is one of the most sought after vocal coaches in NY, navigated these hurdles by throwing himself at the process whole-heartedly. In creating A Gentlemen's Guide To Love and Murder, Lutvak labored ardently through the process: making the necessary musical and textual changes, creating opportunities to showcase his work, enticing producers and, when he wasn't putting up his own money, locating the financing to fund the production, including taking on the enormous cost of a lawsuit. In this paper, I will present the musical and personal development of Lutvak in his journey to and in creating and composing the successful Broadway musical A Gentlemen's Guide to Love and Murder. I will focus specifically the legal and administrative difficulties associated with obtaining the rights for the production, in order to support the argument that these struggles shaped and transformed the production into the artistic and commercial success seen on Broadway, and across the country on its 2015 national tour. Methodologically, this paper is part assisted memoir, part textual analysis, and part insider observations, substantiated with court documentation and published reviews of Lutvak's work.