The purpose of the study is to examine how a multimodal composition assignment can be configured to create opportunities for writing development among second language students. In the field of second language writing, where linguistic development has long been prioritized in research and pedagogy, there are concerns that engaging with modes other than language would take away the opportunity to development writing skills. This study intends to address this concern by investigating how second language students interact with language, employ writing strategies, and develop knowledge about writing during a multimodal and a traditional assignment. To this end, I designed two assignments, a traditional written proposal assignment and a video proposal assignment, that were taught by the same instructor in two parallel sections of first-year composition for multilingual students. Five participants were recruited from each section. The data were collected from students’ screen-recordings with think-aloud protocols, writings produced during the two assignments, class observation notes, and semi-structured interviews at the end of the assignments. The findings suggest that students in both groups have engaged in similar ways of translating their ideas into written English with appropriate grammatical, syntactical, and lexical choices. The participants also employed various writing strategies at different stages of the assignments. Students in both groups reported a growing understanding of rhetorical appeals and research-based writing. The video assignment, however, seems to create additional learning opportunities by mobilizing students’ problem-solving skills and a wider range of literacy experiences. At the same time, two students in the video group were observed borrowing online texts verbatim without making attribution, which could be a potentially risky act in the academic context. Based on the findings, I argue that multimodal writing pedagogy should be discussed in relation to the specific design features and learning outcomes. Future research could continue the investigation of students’ multimodal composing processes, with a special focus on the textual borrowing practices across contexts. There is also need for a systematic review that discusses how the concept of multimodal writing is embodied in different assignments, tasks, and genres.

The purposes of this dissertation are two-fold. First, it aims to re-examine the new generation of Chinese students in the United States (U.S.) in light of the changing international and educational contexts. Second, the dissertation seeks to understand the new generation of Chinese students’ experience in First-year Composition (FYC) classes in a public U.S. university. A model of dynamic sociocultural approach is developed and applied to explore this new generation of Chinese students. Compared to previous generations of overseas students, the new generation is substantially different in their backgrounds and shares their own unique characteristics. Taking a sociocultural approach, this dissertation undertakes a systematic examination to delineate Chinese overseas students’ demographic trends over time, the backgrounds and characteristics of the new generation, the motivations for them studying in the United States, and the pathways these students take to come to the U.S. universities. Furthermore, this dissertation explores the experiences of 23 Chinese undergraduate student participants in FYC classes at a U.S. university. In the past decade, with a soaring number of Chinese undergraduate students, there is a dramatic rise in the number of Chinese students in FYC classes. Compared with their previous English education and learning experience in China, what these Chinese undergraduates are experiencing and how them adapting to in their FYC classes will shed light to better understanding of this new generation, as well as how their previous educational experience in China overlap, facilitate, or collide with their current studying in the United States. This dissertation enriches the literature on understanding the new generation of Chinese students, their background, and their adjustments to foreign countries and new educational environments. Using the dynamic sociocultural approach, the study provides teachers and administrators an approach for viewing Chinese and other second language (L2) students in a more holistic way. To a greater extent, the study has implications on how to meet the challenges of diversity in our universities and how to help students with different home cultural backgrounds to succeed in class. The results can also be used to improve the services and programs in the U.S. higher education institutions.

This dissertation explores the nature of collaborative writing in an interdisciplinary research context beyond classrooms. Most of the current studies in collaborative writing in second language contexts are based on collaborative writing in classroom-based contexts such as English as a Second Language courses with undergraduate students. Collaborative writing tasks are getting its popularity both in classrooms and beyond classrooms with various purposes and objectives. Thus, it is more likely that multilingual writers encounter some kinds of collaborative writing tasks in various contexts. For writing instructors and writing curriculum developers, it is important to understand various types of collaborative writing tasks and their writing practices.

The current study investigates the nature of collaborative writing in an interdisciplinary collaborative research project. The study examines the processes of a multilingual writer’s literacy development in collaborative writing tasks. Based on a qualitative case study, the study focuses on identifying what literate activities were involved in, what effects from the writing collaboration were observed, and what factors influenced this multilingual writer’s writing development. I analyzed various sources of data such as writing samples, writing journal notes, observation fieldnotes, project documents, and the interviews from the focal participant, the graduate student, and two other co-authors as informants in the study. Based on a multilingual writer’s perspective, the findings show what the collaborative writing practices look like in an interdisciplinary research setting. The findings indicate that a multilingual writer’s writing skills were constantly evolving while interacting with collaborators through various phases of collaborative writing. Particularly tasks in collaborative revision process such as mediating the gaps between co-authors and responding to research members were crucial in developing awareness for audience and content organization. Drawing on a naturalistic qualitative study, this dissertation discusses that studies of collaborative writing in second language learning contexts needs to provide broader perspective and aspects of collaborative writing in various settings that multilingual writers engage in. The research concludes with a discussion of pedagogical implications, limitations of the study and future research.

The Stretch Model is a model of first year composition (FYC) that “stretches” the first semester's class over two semesters in order to help writing students who arrive at university with low test scores to succeed in their composition courses. Originally piloted in 1994 at Arizona State University (ASU), the Stretch Model of composition has been found to be effective in terms of retention and persistence of first language (L1) writers (e.g., Glau, 1996; 2007). It has become known at ASU and abroad as the Stretch Program. Since 1997, a separate track of the Stretch Program has been solely for second language (L2) writers, and L2 writing students are now roughly 17% of the program's population. Until fairly recently, there was no attempt to collect L2 data to support the Stretch Program's claims for effectiveness for the L2 population. As many universities across the nation have garnered inspiration for their own programs ("Stretch Award" 2016), and L2 writers have the potential to be in any composition class (Matsuda, Saenkhum, & Accardi, 2013), it is imperative to include the voices of L2 writers in the analysis of the Stretch Program. This study addresses the need for L2 writers' voices to be included in the analysis of the Stretch Program at Arizona State University. From the quantitative analysis of 64,085 students’ institutional data records, and qualitative analysis of 210 student surveys, findings include L2 writers have the highest rates of passing, but the lowest rates of persistence in the three-semester first year composition requirement when compared to Stretch L1 students and the traditional FYC population. Survey data also lends L2 student perceptions to complicate the main features of the Stretch Program including perceived writing improvement, having the same teacher and classmates for two semesters, and having more time to work on their writing. The quantitative findings are consistent with Snyder’s (2017a) analysis of the 2012 fall Stretch Program L1 and L2 cohorts.

Situated in the influx of Chinese students entering U.S. higher education and the L2 writing research growing interests in investigating learners’ experience to gain further insights into their emic perspectives on English literacy development, this dissertation argues that the identifying the beliefs as the underlying principle shaping and being shaped by our experience. In this dissertation, I propose a theoretical framework of beliefs and validates the framework by using it to examine multilingual writers’ learning experience in the context of First Year Composition. The framework advances a definition of beliefs and a framework demonstrating the relationship among three constructs—perception, attitude, and behavior. In order to develop the framework, I first synthesized existing literature on language learning beliefs and argue the scarcity of L2 writing researchers’ discussing belief when exploring learners’ experience. I define beliefs as an individual’s generalizations from the mental construction of the experience, based on evaluation and judgment, thus are predisposed to actions. I proposed a framework of belief, consisting three mental constructs—perception, attitude and action—to identify and examine factors contributing the formation and change of beliefs. I drew on drawing on Dewey's theory of experience and Rokeach's (1968) belief theory, and contextual approach to beliefs in the field of second language acquisition. I analyzed the interview data of twenty-two Chinses students accounting their English learning experiences across four different contexts, including English class in China, TOEFL training courses, intensive English program, and FYC classroom. The findings show that their beliefs were formed and transformed in the contexts before FYC. They perceived all the writing learning in those courses as similar content and curriculum, but the attitudes vary regarding the immediate contexts and long-term goal of using the knowledge. They believe grammar and vocabulary is the “king’s way,” the most effective and economic approach, which was emphasized in the test-oriented culture. Moreover, the repetitive course content and various pedagogies, including multiple revisions and the requirement of visiting writing center, have been perceived as requiring demonstration more efforts, which in turn prompted them to develop their own negotiation strategies, the actions, to gain more credits for the class. This dissertation concludes that the beliefs can be inferred from these all three constructs, but to change beliefs of learners, we need to make them explicit and incorporate them into writing instruction or curriculum design. Implications on how to further the research of beliefs as well as translating these findings into classroom pedagogies are also discussed. The dissertation concludes with a discussion of how the framework can be used to inform future research and classroom practices informed by writing beliefs identified in this study.

This project is an institutional ethnography (Smith, 2005, 2006) that examines the lived experiences of nine second language (L2) writing teachers, specifically with regard to the interpersonal, material, and spatial relationships inherent in their work. Using interviews, focus groups, and a mapping heuristic for data collection, the study investigates the current culture of L2 writing that is (or is not) created within this specialized community of practice (Lave & Wenger, 1991) and the individual participant motivations as actors within a complex and dynamic network (Latour, 2007). Because findings from the study are relevant for a variety of fields and audiences, the dissertation is separated into three freestanding but interrelated articles.

Article one focuses on the data of one participant whose teaching roles/ranks in the writing program shifted over time: from graduate teaching associate to part-time adjunct faculty member to full-time non-tenure track writing instructor. Article two uses all nine participants’ data and focuses on their perceptions of and experiences with L2-specific teacher training. Results share the perceived benefits and drawbacks of teacher training to specialize in working with multilingual student populations considering various material conditions present in the institution. In addition, the article locates additional programmatic spaces where professionalization happens (or can happen), and ultimately assesses and questions the justification of specialization of teachers within the writing program and where that specialization can/should occur. Article three reflects on a specific data collection technique—a mapping heuristic—and discusses the ways in which this method is beneficial, not only for observing the different connections that L2 writing teachers create in their work lives, but also for collecting data in any institutional ethnographic study.

While these three articles are intended to be independent of one another, together they comprise a dissertation-length institutional ethnographic inquiry that demonstrates the diverse voices, motivations, and experiences of second language writing teachers that inform the decisions made in an institution known as a writing program. WPAs can use the knowledge and takeaways gained in the study to learn more about how to support and advocate for this important stakeholder group.

This dissertation examines collaborative inquiry as a form of graduate mentoring. To investigate this issue, I analyze the research and writing process of a team of five multilingual graduate students and their mentor as they collaboratively design, implement, and report a study based in their local writing program over the course of two years. Through a qualitative activity analysis of team meetings, participant interviews, and the team’s written drafts and email correspondence, I investigate the ways in which self-sponsored, team-based collaborative research and writing supports participants’ learning and development of a professional identity.

Key findings show that unanticipated obstacles in the research context present participants with “real-world” dilemmas that call forth disciplinary alignments, reinforce existing disciplinary practices, and, most importantly, generate new practices altogether. An example of this process is reflected in the research team's frequent need to adjust their research design as a result of constraints within the research environment. The team's ability to pivot in response to such constraints encouraged individual members to view the research enterprise as dynamic and fluid, leading ultimately to a heightened sense of agency and stronger awareness of the rhetorical challenges and opportunities posed by empirical research. Similarly, participants’ demonstrated an ability to recognize and resolve tensions stemming from competing demands on their time and attention during the course of their graduate study. Actively constructing resonances across various domains of their graduate worlds—coursework, teaching, and non-curricular research and professionalization activities—served to clarify purposes and increase motivation.

An additional aspect of this study is the way graduate students leverage their language resources in the collaborative process. This dissertation extends the disciplinary conversation by investigating ways in which language resources function as rhetorical tools within the research context. This focus on language, in concert with collaboration and rhetorical stances to inquiry, challenges persistent views of authorship, apprenticeship, and language norms, while simultaneously lending insight into how graduate students invent new ways of participating in their professional worlds.

This dissertation delves into some EFL stakeholders' understanding of spiritual identities and power relations associated with these identities as performed in an undergraduate EFL teacher education program at a Christian university in Indonesia. This study is motivated by an ongoing debate over the place of spirituality, especially Christianity, in ELT. In this project, religions are considered to be windows through which one's spirituality is viewed and expressed. Spiritually associated relations of power indicate discrepancies due to positioning of one person committed to a spiritual view in relation to those having similar or different spiritual views. The purpose of exploring spiritually associated identities and power relations is to provide empirical evidence which supports the following arguments. The integration of spirituality in ELT, or lack thereof, can be problematic. More importantly, however, spirituality can be enriching for some EFL teachers and students alike, and be presented together with critical ELT. To explore the complexity of power relations associated with some EFL stakeholders' spiritual identities, I analyzed data from classroom observations, four focus group discussions from February to April 2014, and individual interviews with 23 teachers and students from February to September 2014. Findings showed that Christian and non-Christian English teachers had nuanced views regarding the place of prayer in ELT-related activities, professionalism in ELT, and ways of negotiating spiritually associated power relations in ELT contexts. Students participating in this study performed their spiritual identities in ways that can be perceived as problematic (e.g., by being very dogmatic or evangelical) or self-reflexive. Classroom observations helped me to see more clearly how Christian English teachers interacted with their students from different religious backgrounds. In one class, a stimulating dialogue seemed to emerge when a teacher accommodated both critical and religious views to be discussed. This project culminates in my theorization of the praxis of critical spiritual pedagogy in ELT. Central to this praxis are (a) raising the awareness of productive power and power relations associated with spiritual identities; (b) learning how to use defiant discourses in negotiating spiritually associated power relations; and (c) nurturing self-reflexivity critically and spiritually.

Most new first-year composition (FYC) students already have a great deal of writing experience. Much of this experience comes from writing in digital spaces, such as Facebook, Twitter, Instagram, and Pinterest. This type of writing is often invisible to students: they may not consider it to be writing at all. This dissertation seeks to better understand the actual connections between writing in online spaces and writing in FYC, to see the connections students see between these types of writing, and to work toward a theory for making use of those connections in the FYC classroom. The following interconnected articles focus specifically on Facebook--the largest and most ubiquitous social network site (SNS)-- as a means to better understand students' digital literacy practices.

Initial data was gathered through a large-scale survey of FYC students about their Facebook use and how they saw that use as connected to composition and writing. Chapter 1 uses the data to suggest that FYC students are not likely to see a connection between Facebook and FYC but that such a connection exists. The second chapter uses the same data to demonstrate that men and women are approaching Facebook slightly differently and to explore what that may mean for FYC teachers. The third chapter uses 10 one-on-one interviews with FYC students to further explore Facebook literacies. The interviews suggest that the literacy of Facebook is actually quite complex and includes many modes of communication in addition to writing, such as pictures, links, and "likes." The final chapter explores the issue of transfer. While transfer is popular in composition literature, studies tend to focus on forward-reading and not backward-reaching transfer. This final chapter stresses the importance of this type of transfer, especially when looking back at digital literacy knowledge that students have gained through writing online.

While these articles are intended as stand-alone pieces, together they demonstrate the complex nature of literacies on Facebook, how they connection to FYC, and how FYC teachers may use them in their classrooms. They serve as a starting off point for discussions of effective integration of digital literacies into composition pedagogies.