Description
This project explores the cultivation of artistic methodologies centered in embodied movement practices. I worked in collaboration with dancers to inform the development of a movement vocabulary that is authentic to the individual as well as to the content of the work. Through the interplay between movement and subconscious response to elements such as writing, imagery, and physical environments I created authentic kinesthetic experiences for both dancer and audience. I submerged dancers into a constructed environment by creating authentic mental and physical experiences that supported the development of embodied movement. This was the impetus to develop the evening length work, Flesh Narratives, which consisted of five vignettes, each containing its own distinctive creative process driven by the content of each section. This project was presented January 29- 31, 2016 in the Fine Arts Center room 122, an informal theatre space, that supplemented an immersive experience in an intimate environment for forty viewers. This project explored themes of transformation including cycles, concepts of life, death and reincarnation, and enlightenment. Through the art of storytelling, the crafting of embodied movers, and the theory of Hauntology, the viewer was taken on a journey of struggle, loss, and rebirth.
Download count: 2
Details
Title
- Writing through the body: Flesh narratives
Contributors
- Gerena, Jenny (Author)
- Standley, Eileen (Thesis advisor)
- Rosenkrans, Angela (Committee member)
- Britt, Melissa (Committee member)
- Arizona State University (Publisher)
Date Created
The date the item was original created (prior to any relationship with the ASU Digital Repositories.)
2016
Resource Type
Collections this item is in
Note
- thesisPartial requirement for: M.F.A., Arizona State University, 2016
- bibliographyIncludes bibliographical references (pages 49-52)
- Field of study: Dance
Citation and reuse
Statement of Responsibility
by Jenny Gerena