Description
In this paper, I analyze representations of nature in popular film, using the feminist / deconstructionist concept of a dualism to structure my critique. Using Val Plumwood’s analysis of the logical structure of dualism and the 5 ‘features of a dualism’ that she identifies, I critique 5 popular movies – Star Wars, Lord of the Rings, Brave, Grizzly Man, and Planet Earth – by locating within each of them one of the 5 features and explaining how the movie functions to reinforce the Nature/Culture dualism . By showing how the Nature/Culture dualism shapes and is shaped by popular cinema, I show how “Nature” is a social construct, created as part of this very dualism, and reified through popular culture. I conclude with the introduction of a number of ‘subversive’ pieces of visual art that undermine and actively deconstruct the Nature/Culture dualism and show to the viewer a more honest presentation of the non-human world.
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Details
Title
- The Nature of Cinema: Feminism, Film, and the Nature/Culture Dualism
Contributors
- Barton, Christopher Joseph (Author)
- Broglio, Ron (Thesis director)
- Minteer, Ben (Committee member)
- Barrett, The Honors College (Contributor)
- School of Sustainability (Contributor)
- School of Mathematical and Statistical Sciences (Contributor)
- School of Geographical Sciences and Urban Planning (Contributor)
Date Created
The date the item was original created (prior to any relationship with the ASU Digital Repositories.)
2015-05
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